FILM NEWS


SOUTH AFRICA’S RISING STAR ETIENNE KALLOS RECEIVES SUNDANCE INSTITUTE/MAHINDRA GLOBAL FILMMAKING AWARD
25 Jan 2012
The National Film and Video Foundation (NFVF) is proud to announce that one of South Africa’s bright lights Etiene Kallos received the Global Filmmaking Award from the Sundance Institute and Mahindra for his visionary project. 
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THE IPO CONGRATULATES MS LULAMA MOKHOBO ON HER APPOINTMENT AS SABC GCEO
25 Jan 2012
The Independent Producers Organisation released the following statement on Monday congratulating Ms Lulama Mokhobo on her appointment as SABC GCEO
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CITYVARSITY FAQ'S ANSWERED FOR INTERESTED STUDENTS
20 Jan 2012
If you’re interested in the wide variety of media courses offered at CityVarsity Cape Town or CityVarsity Newtown, it’s not too late to join our creative family for 2012! Here's a Quick Guide to make things a little easier for you - Open Day, Contact Details, Start Dates, Bus Service, you name it!
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MOBISLYDERS JUST ARRIVED AT PHOTO HIRE
20 Jan 2012
Mobislyder is the world’s first portable camera slider designed specifically for a broad range of small video-enabled devices such as iPhones, smart phones, compact cameras and small D-SLR cameras. 
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Luke Apteker enters the Zef

After Sean Metelerkamp’s Zef Side hit the Internet and was seen by millions of viewers worldwide, local rap outfit Die Antwoord were catapulted into global superstars.

Enter the Ninja, directed by Rob Malpage, follows on from Zef Side, and while the former was more of an introduction to the band done in mockumentary style, Enter the Ninja is a high budget music video reminiscent of rap videos in the United States. Both promos were edited by local post production company Priest.

Priest’s Luke Apteker was enthusiastic about editing the second music video because of the high expectations, and therefore challenges, attached to it. The young editor was a good choice for the project, having worked on music videos for local artists Apollo is Dead and Thieve. 

Luke says, “I initially felt a bit of pressure to produce something sensational but this mostly dissipated once I got to know and love the footage. I also got to know Ninja (Waddy Jones) better by picking at his brain with a metaphorical ice pick. Once I got a substantial amount of understanding of his vision for the project, it all went pretty damn smoothly.”

Enter the Ninja was shot on 35mm, accompanied by pre-synced offline footage. Luke says he started by cutting in to a conceptualised script with Ninja and then taking atypical tangents in the edit.

He explains,  “I’m sure I was in an unique situation with this edit as the creative director was also the performing artist in the video. We got on really well and there was a great synergy in the edit suite, which definitely came through in the final product.”

The cut was paced in line with the music track and primarily dictated by the tempo of the song.

Luke says, “Every frame brought out the band’s eccentric personality so I made sure to only use the ones that would do that in the best way possible, and present it in a creative way.”

Luke used Final Cut Pro 7 to edit Enter the Ninja.

If you’re curious about the member with Projeria Syndrome, his name is Leon Botha and he’s a well-known Cape Town artist. 

You can check out his exhibition with Velocity’s Gordon Clark,  Who Am I? Transgressions, at the Joao Ferreira Gallery in Loop Street in Cape Town. He’s a DJ in his spare time. Watch Enter the Ninja here and comment below.
Sally Fink



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