FILM NEWS


SOUTH AFRICA’S RISING STAR ETIENNE KALLOS RECEIVES SUNDANCE INSTITUTE/MAHINDRA GLOBAL FILMMAKING AWARD
25 Jan 2012
The National Film and Video Foundation (NFVF) is proud to announce that one of South Africa’s bright lights Etiene Kallos received the Global Filmmaking Award from the Sundance Institute and Mahindra for his visionary project. 
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THE IPO CONGRATULATES MS LULAMA MOKHOBO ON HER APPOINTMENT AS SABC GCEO
25 Jan 2012
The Independent Producers Organisation released the following statement on Monday congratulating Ms Lulama Mokhobo on her appointment as SABC GCEO
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CITYVARSITY FAQ'S ANSWERED FOR INTERESTED STUDENTS
20 Jan 2012
If you’re interested in the wide variety of media courses offered at CityVarsity Cape Town or CityVarsity Newtown, it’s not too late to join our creative family for 2012! Here's a Quick Guide to make things a little easier for you - Open Day, Contact Details, Start Dates, Bus Service, you name it!
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MOBISLYDERS JUST ARRIVED AT PHOTO HIRE
20 Jan 2012
Mobislyder is the world’s first portable camera slider designed specifically for a broad range of small video-enabled devices such as iPhones, smart phones, compact cameras and small D-SLR cameras. 
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Ricky Boyd strikes up an ad of the month

Greg Gray's Roy Sullivan commercial for Lowe Bull, was named Creative Circle’s February Ad of the Month.

The Velocity ad, made for Tetra Pak’s environmentally friendly packaging range, tells the true story of American park ranger Roy Sullivan, who was struck by lightning seven times, despite a life devote to nature. The payoff line is: “Roy would be forgiven for holding a grudge against mother nature but what’s your exuse?” 

The ad was edited by Deliverance’s Ricky Boyd, who’s worked with Greg previously on the Loerie-winning MTN Clap.

“The story was in essence very simple. We had to ensure the original concept was relevant and as clear as possible,” Ricky says. 

Ricky says Greg wanted him involved early in the project to discuss structure and flow. This is a method that’s worked well for the pair in the past.

“We know each other pretty well by now so it makes things easier,” he says.

Ricky explains the challenge, “Once he has been struck two or three times, the viewer knows what’s coming." "As the voice-over counts up the lightning strikes, you have to try and extract some comic timing.”

He explains that the voice-over dictated the pace, breaking the repetitiveness of the strikes, but mostly he let the ad take its natural course. 

Ricky says, “The surprise at the start is visually humorous and breaking the repetitiveness of the count near the end helped with comic anticipation. Greg managed to keep each scene visually different to a degree, while staying true to the man’s original experiences, but by keeping the strikes coming rhythmically, we had this as a tool to use at the end.”

Ricky used various grades and filters in the offline edit, using the Avid Media Composer 4 Mojo DX, which has only been in use for six months.

He says, “I also built various strike options using simple keys, and created a few different sound designs for each strike. They actually worked very well and taught us what was and wasn’t going to work in the online, thus saving us time. Greg had also shot live action explosions and light flashes, which helped with the compositing.” Watch the ad.
Sally Fink



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